Thursday, June 28, 2007

??

Trust is a difficult concept to define. In some respects it could define reputation, a state of mind or indeed a true state of affairs. The basic thread being a reliance that the trusted shall not fall below the agreed or accepted standard.
Man's nature is essentially predatory and individualistic and will act in self-interest, such self-interest being amorphous and dependent on the individual circumstances, hence trust in the context of man's innate characteristics is incongruous and really is a fantasy. Hence trust in the realpolitik of human relations is an artificial concept based on the mutuality of self-interest in an objective, whatever that is, where that mutuality of interest no longer exists then the artificial structure crumbles, in short there has to be an incentive for trust and where the incentive or consideration no longer exists, then the artificial structure crumbles- simple.
Its sad but true.

Friday, June 22, 2007

9 WORDS WOMEN USE

9 WORDS WOMEN USE

1. Fine: This is the word women use to end an argument when they are right and you need to shut up.
2. Five Minutes: If she is getting dressed, this means a 1/2 hour. Five minutes is only five minutes if you have just been given five more minutes to watch the game before helping around the house.
3. Nothing: This is the calm before the storm. This means something, and you should be on your toes. Arguments that begin with nothing usually end in fine.
4. Go Ahead: This is a dare, not permission. Don't Do It!
5. Loud Sigh: This is actually a word, but is a non-verbal statement often misunderstood by men. A loud sigh means she thinks you are an idiot and wonders why she is wasting her time standing here and arguing with you about nothing. (Refer back to #3 for the meaning of nothing.)
6. That's Okay: This is one of the most dangerous statements a women can make to a man. That's okay means she wants to think long and hard before deciding how and when you will pay for your mistake.
7. Thanks: A woman is thanking you, do not question, or Faint. Just say you're welcome.
8. Whatever: Is a women's way of saying F@!K YOU!
9. Don't worry about it, I got it : Another dangerous statement, meaning this is something that a woman has told a man to do several times, but is now doing it herself. This will later result in a man asking "What's wrong?" For the woman's response refer to #3.
Ps/ Here's a retort from an anonymous sister:
Hi Ed thought you might like a retort for your blog hope this finds you well xx
1. I will call you back. Girls don't hang around waiting for the phone to ring coz it won't! he will have found that the part of his brain that is set for returning calls is the same part that remembers directions, empty and short lived.
2.I'll drive. One to be avoided if you are off to a party of your friends coz you can bet your bottom dollar he will start clock watching around ten o'clock and heaven forbid should you book to go out when there is a big game on the tele.
3.Just a quickie. Bloody annoying this one as it always so frustrating to be left high and dry being the operative word, wham bam and thanks to the KY.
4.Silence. followed by "Sorry darling". He heard he was just making a point that you were interrupting his enjoyment.
5.Don't worry I'll get the check. Oh my and will you pay for it, again and again and again......
6.We'll see I will have to check my diary or I can't see that far ahead. Yes, he bloody can its just he doesn't necessarily see you in that future, take heed and double book yourself so when he doesn't show you aren't sat at home being bored by the box.Sure there are many more that piss us off but lets face it girls we do love a challenge and the opposite sex are just that.

Funky Lagos!!









Ginger Baker- as previously mentioned in an earlier post spent about 4-5years in Nigeria, precisely from 1970 till 1974. His impact on the local music scene is still felt till date, with his full-on, Sarf London earthiness and musical mastery, he made a lot of friends and built some sterling musical relationships, not least with Fela Kuti, who regarded him genuinely as some sort of musical soul-mate and brother.

This piece is however about Lagos. Nigeria's erstwhile capital with a population of 22Million people- equivalent to the population of most countries in Europe and the 3rd largest city in the world.

Lagos or Eko as the indigenes know it was originally a little strip of Land by the Kuramo Lagoon (Eko Akete or Lagos Island), ruled by an Oba or King and which was errr..discovered by the Portuguese in the 15th century and acquired its name (Lagos) from the Portuguese Lago De Curamo (Lake Kuramo). Its instructive that there is a Portuguese city by the same name- Lagos (i.e Lake).

Lagos is one of the more ethnically diverse conurbations in the world based on its strategic placement as a seaport and a centre of commercial activity, simply put Lagos is and has been the home of every manner of card-sharper, brigand, barrack-room Lawyer, Fraudster, Murderer, Psychopath, Desperado, Hoodlum, Saint, Genius, Sage, Poet, Prostitute, Philosopher and Philistine that has walked under God's Sun. From the Native Yoruba Fishermen and Traders to the intinerant Fishermen Settlers from Ghana and Togo, to the freed Slaves from Brazil, who settled in the Island- highly skilled and savvy in the early 20th century, who introduced their architecture and style as well as the Syrian, Lebanese, Italian, Greek, Pakistani and Indian Merchants, who arrived at the same time and many of whom acquired Nigerian citizenship. It was in many respects like New York and London. A place where you came to make a fast buck and most did, forming a new stratum of social elite with spending power that engendered a fast vibrant cultural carnival of a city.

Lagos had an amazing nightlife and cultural flair over the years and indeed had its heyday between the 60's and 70's, with Swanky Clubs like Caban Bamboo in the Mainland- owned by the popular Musician Bobby Benson, Bacchus, Bagatelle- owned by Immigrant Syrian and Lebanese entrepreneurs, Kakadu in Yaba which was the choice of the slightly more low budget but hip and cool crowd- in the 60's on to the 70's when Fela's Shrine took off as the coolest hang-out, you were never allowed to admit to your parents that you visited. As illustrated by a story told by the eccentric Lagos Judge- the late Justice Kessington, who in the courseof a hearing in his Court, recounted an incident in the early 70's when he visited a seedy hang-out called La Lido, with his mates Sani Abacha (the former Nigerian dictator General, who was a young Major at the time)and another officer and later a Nigerian Minister, who shall remain nameless, upon which they were refused entry on account of their inebriated state and when they naturally protested, were manhandled by the bouncers. As Kessington put it, the other officer was about to retaliate, when Sani Abacha stepped in and cautioned saying "we better not get into a fight, otherwise how are we going to explain to our wives what we were doing here, when we're supposed to be at the Officers Mess". I digress of course but presume you get the picture. The famous Bar Beach was a weekend Mecca for families, youth and Religious groups of all types who sought to benefit from the magic - in all senses- of the word.

Lagos nightlife and culture today is a totally different spectacle what with effect of a serious increase in crime and severe economic depression stemming from years of macro-economic mismanagement.

Anyway back to Ginger Baker- this guy had a Super 8 Cine camera on his travels in Nigeria and took some awesome shots -all in 1971- of some musical concerts in Lagos and beyond, they are some of the rarest visual records of the musical heritage of Lagos and I am pleased to say, some smart fella managed to post them on Youtube and I invite you to join me in my reminiscence of the Lagos I knew as a child.

You will find videos of Ginger Baker- (Videos No.1 and 2) in an impromptu jam with some of Nigeria's finest Musicians, some of whom went on to great things- Joni Haastrup- On Keyboards, later played with Chris Isaaks, Berkeley Jones on Guitar-later Osibisa, Tunde Kuboye- later became a Civil Engineer and owner of the famous Jazz 38 Club, Laolu Akins on Batas, Steve Black on Congas- awesome.



Video 3 is a video of a Fela Kuti concert in Calabar in 1971,which is truly mind-blowing, played under torrential rain, amazing they weren't electrocuted. Witness the energy of Fela Kuti on stage, as well as the Saxophonic heroics of the late great Igo Chico.


Video 4 is a short clip of the great Afro-Soul singer/keyboardist- Segun Bucknor in concert in 1971, the Trombonist by the way is my good friend and band-member Raheem , who doesn't seem to have changed at all after 36 years- amazing!


This has been a nostalgic trip for me and I hope this enlightens and entertains. Lagos today is sadly a dire replica of the original city of Soul of the 60's and 70's and thank God for the memories at least, you can't turn back time but you can look back and sigh.

Sunday, June 10, 2007

Tunji Sowande

APPROVED BY AUTHOR FOR PUBLICATION ON WIKIPEDIA
AND GENERAL FREE LICENCE
Tunji Sowande was born in Lagos, Nigeria in 1912 to a fairly wealthy local family by standards – his father being the Anglican Priest- Emmanuel Sowande, a pioneer of Church music in Lagos and contemporary of the distinguished classical composer and organist- Dr Ekundayo Phillips.

His was a musical family, with his older brother being none other than the renowned Classical composer- Fela Sowande, described by Wikipedia as “the father of modern Nigerian art music, Sowande is perhaps the most internationally known African composer of works in the European "classical" idiom.” A reputable resource on Fela Sowande is attached - FELA SOWANDE.

Tunji Sowande had his early education at the CMS Anglican Grammar School in Lagos and proceeded to the Yaba Higher College, where he obtained a Diploma in Pharmacy on or about 1940. As was the practice, he worked with the Public Health department in Lagos as a Dispensing Pharmacist for a number of years. His contemporary being the late Adeyinka Oyekan, his good friend, who was later to become the Oba (King) of Lagos.

In the family tradition, Tunji was an excellent Baritone Singer, Organist and later a Jazz Drummer. Largely plying his musical skills in the conservative surroundings of the Anglican Cathedral in Lagos in his spare-time.

In or around 1948, he decided to travel to the United Kingdom to pursue a career in Law, though his personal account was more to the effect that he wanted a change of scene to pursue his musical skills, with legal studies being a respectable adjunct to his genuine quest.

He studied Law at Kings College and took and passed the Bar Finals at Lincolns Inn, having said that he occupied himself primarily playing around the UK, supporting several acts both Jazz, Classical and Choral. He collaborated on live sets with several contemporary heavy-weights like Johnny Dankworth, Ronnie Scott, Paul Robeson to name a few as well as popular Afro-Caribbean icons like Ambrose Campbell and Edmundo Ros. He is on record as having formed a long standing partnership with the hugely popular pioneering Black Singer and Pianist Rita Cann and was indeed part of the circle of Black Intellectuals and musicians who met regularly at the Regents Park flat of the African-American musician- John Payne. Rita Cann had actually been mentored by Fela Sowande. A link to the resource is attached- Rita Cann

He also recorded at least one single on the Afro-Caribbean Melodisc label, the track being “Thin Rere” and Igi T’Olorun” a link to this resource is attached- MELODISC. Contemporary acts on this label being Lord Kitchener and Ambrose Campbell. He is also reputed to have dedicated a substantial part of his musical career to playing for Charity entertaining an Elderly audience- as a duo with Rita Cann, travelling around the UK for this purpose.

Tunji Sowande upon completing his pupilage was informed by his Pupil Master that he had been offered a full Tenancy at the prestigious 3 Kings Bench Walk Chambers. His reaction was however that of surprise, since his own ambition was to pursue his musical career on completion of his studies. This is to be seen in the context of the fact that Tenancies in prestigious Chambers were not available to Black Barristers- the UK still being subject to the racial and class strictures attendant at the time. He initially refused it but subsequently accepted it after pressure from his Pupil Master, who would not countenance a Lawyer of his exceptional intellect and ability doing otherwise than taking the opportunity of a career at the Bar.

Tunji went on to pursue a distinguished career at the Bar, specialising in Criminal Law, he was recognised as an exceptionally competent, unassuming and scrupulously honest Lawyer. His only other Black contemporary at the Bar at the time being the Caribbean Barrister – Learie Constantine, who was a professional Cricketer but rather wonderfully practised Law as a hobby and who had sued and won compensation from the Imperial Hotel in London in 1944 for barring him “on the grounds of colour”. Constantine later became Trinidadian High Commission to London and indeed the UK’s first Black Peer.

He rose to the rank of Head of Chambers at 3 Kings Bench Walk after several years, no mean feat. In addition, he was appointed a Recorder (Judge) of the Crown Court, from where he retired on or about 1989. He handled a large number of complex Criminal matters in the course of his career, I am in the process of researching the archives to locate some of these.

There is speculation on this point, but there is evidence that Tunji Sowande was the first person of Black African descent to be appointed a Recorder of the Crown Court and indeed to Head a Barristers Chambers. Whilst Dr John Roberts QC (the Sierra Leonian born former RAF officer) is listed by the Black Lawyers Directory as the first of such, link is attached to this resource-ROBERTS, I disagree completely in that Dr Roberts was appointed to the Bench in 1987, whilst Tunji Sowande was certainly sitting as a Recorder in 1985. In addition it is to be remembered that Tunji Sowande was called to the Bar in 1952, whilst John Roberts was called in 1969. Whilst this is not necessarily a requisite for appointment to the Bench, it is a fair Indicator. In any event, Tunji Sowande assumd the Headship of 3 Kings Bench Walk in 1968, before Roberts was called to the Bar.

I recall sometime in 1983, reading the magazine Tatler- belonging to my mother, of which contents were plainly meaningless to me on account of the status-based content- I had nothing else to read on that day- and I noticed a photograph of a very tall, elderly Black gentleman, amidst all the great and good of English society at some society function, the gentleman was described as Judge Sowande, the same one. This sparked my interest and on an aside, enquiries almost 10 years on showed him to be the father-in-law of my Uncle (my mother’s cousin) and the grand-father of some of my closest cousins.

Sowande’s life was a study in simplicity, integrity and conviction. He lived his life in accordance with his own unique standards, applying himself excellently in all he chose to endeavour. He died in 1996, though I am informed that he still climbed the 3 floors to his flat in Temple EC1 up till his death at the age of 84.

Tunji Sowande was instrumental to the careers of several Lawyers of minority persuasion, always a source of subtle and useful fatherly advice, he however did not view himself purely in the context of an ethnic professional but recognised the difficulties faced by ethnic Lawyers. One such Lawyer being Kim Hollis QC, one of the UK's most popular Asian female Lawyers, who was given her opportunity of Tenancy by Tunji Sowande and indeed mentored her in the early stages of her career. A link to her Interview is attached Hollis. She cites his advice to her as the most important she ever received in her career- "BLD: What was the best career advice you were given? KH: This was from Olatunji Sowande, who offered me my first tenancy: if you are determined, you can succeed. BLD: What career advice would you give to others?KH: It is really what Olatunji Sowande told me. Determination and hard work: if you are determined to succeed and work towards your goal, you can achieve it."

There are several other accounts of several minority Lawyers who benefited from his assistance and mentoring. Another example being the highly respected Barrister- Chima Umezuruike, whom he beckoned at a function, whilst Umezuruike was still seeking a Pupillage and engaged him in a conversation about his plans. From thence a fatherly relationship ensued with, Tunji Sowande encouraging and imparting sage professional advice to him at several stages of his career. An undeniable fact is that the work of Tunji Sowande and some of his peers broke down the barriers that stood in the way of Lawyers of minority persuasion. This is to be read in the context of the times he practised Law, a period when minorities were effectively barred from several institutions of British life, much less the protected institution of Law Practice at the Bar, of which there are obstacles even today, not just to ethnics, but to White Britons from the wrong end of the class spectrum or the wrong Academic catchment i.e non-Oxbridge.

Tunji Sowande never achieved his ambition of becoming the UK's first Black QC but certainly left his mark on the profession and it is a mark of his modesty and under-stated substance that not much is known of his work and life, simply because he was an extremely humble man who did not believe in self-promotion, his disposition being to get on with the tasks at hand and show respect for all regardless of station and apply himself with complete dedication to his vocation.

This has been one of the more difficult articles I’ve written on account of the total dearth of web-based information on a very distinguished man. This probably being on account of his modest and private nature. I would thus appeal for more information and ask anyone with the same to please get in touch on ek3005@yahoo.co.uk or indeed by publishing a comment on these pages, which I shall publish upon verifying its authenticity.

I also noticed that Sowande was not listed amongst the 100 greatest Black Britons of the last century (of which his musical partner- Rita Cann was listed and undoubtedly most deserving) or even on any Who’s Who of Black Briton’s or indeed Nigerians, which I think borders on the criminal, well I’ve done my bit and ask that more be done in his memory to highlight his life as a beacon to persons of ethnic minority persuasion or indeed any one wanting an example in how to lead a simple, decent life. In my view he was one of the greatest Black Britons and indeed greatest Nigerians that ever lived.
© Edward Keazor
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